June 22 & July 8, 2026

I saw X.

It was tender, satiating for once. The first time we’ve connected that I left feeling… satisfied.

He was in tune with me. He listened to me and gave me what I wanted.

I felt his heart outside of his nervous system. I felt it on his body, tasted it on his skin, and heard it in his voice as he whispered to me.

He feels safe with me.

I spoke his love language as he laid his head on my bosom, and I caressed his head, back, and arms. I soothed him. I’m protective over him beyond myself.

I told him I cared about him and expressed other affections. I kissed his head. He’s my baby.

This time I adored him all the way.

We laughed and teased. I told him I felt safe with him. We held each other’s bodies, pressing skin against skin, rubbing our faces together, biting cheeks. He adores me.

We became yin and yang, and I loved it. Saliva and sweat—I didn’t mind.

I don’t need to know what it is anymore. I’ve worn myself out trying to understand.

I surrender.

He means something to me. What we have is genuine. It’s not some fantasy anymore. It’s real. Out of my head. Real.

I wanted to reassure him. Remind him that he’s special to me.

X is my lover, and I think I need him.

Time will continue, but I’m in a vulnerable place, and I’m no longer embarrassed to admit that I need him.

I needed him yesterday. We fell asleep on the phone.

I feel warm when he calls me his Mulberry.

We talked while I was at work, and I didn’t feel so alone in it all. I feel emotionally and spiritually safe knowing he’s here.

It’s easy to assume—or even wish—for more. Though I don’t think that’s us.

Something about X soothes me like a child checking to make sure their mother is still there, then finding out she is. The relief. The calm that follows.

Maybe I am not as strong as I thought.

This space is good.

I am chaos and loud. I am mad and an exciting time. I make safe spaces for people to exist, and they choose to exist with me.

Get to know someone long enough, and you’ll eventually see a piece of yourself in them.

I want to hold on to X.

I don’t want to let go of what we are.

I just don’t.

Emotional Hieroglyphics

My recent work explores subconscious divination through collage and material experimentation.


Using embroidery, scraps, symbolic repetition, texture, handmade paper, organic remnants, and intuitive composition, I’ve been creating what feel like emotional hieroglyphics or dream maps – artifacts of an evolving inner mythology.


The work exists somewhere between intuitive abstraction, sacred symbolism, folk mysticism, outsider assemblage, and visual poetry.


I’m interested in how subconscious memory communicates through symbols, texture, repetition, and material instinct. These pieces are less concerned with polished representation and more concerned with emotional residue, psychic mapping, and the transformation of fragments into living symbolic systems.

✶ Materials: embroidery, glitter, old scrap drawings, sunprint paper, ink, self portrait, tree seeds ✶

June 15, 2024

My, my, my, X.
Wind-chimes braid themselves
up and down my core,
shivers down my spine, fingers spaced apart.
My center solidifies and my mind melts—
a proper malfunction…
.
Sometimes I wonder if he sees me.
I see him.
No pressure, no law.
I need X for certain things,
he needs me for certain things.
.
It won’t last,
I hold on to the now.
Let go.
Lean…
.
I think we can be good for each other.
I reject the law
that says only permanence has worth.
Connection is enough,
even if it shifts and dissolves.
.
Our fingertips touch—
flashing life, lust, tenderness.
I’ve never seen his eyes before.
I recognize his touch as my own.
I remember the caress of every lover.
.
I don’t know him
But his wild is my wild.
I honor what we are,
without demanding what we are not.
I want.. I don’t receive..
I’m too solid
There’s something I’d..
I can see..
If he falls

The Alchemy of Ache: Poetry as Portal, Memory as Ritual, Writing as Survival

I sometimes peel myself for fun
forgetting I am dripping

I devour this holy pomegranate
for my last meal

While the world makes love
to cope with flesh
I vow to touch the earth
with the courtesy of life in mind

Through every door
every portal
I walk
fall
burn

and come back
to myself
again
and again

– Freegrandmaa





I’ve never been a tidy writer. I don’t write from outlines. I don’t plan.
Because pain rarely makes sense while you’re inside it. Because memory doesn’t arrive in full sentences. Because healing isn’t clean. And neither is truth.

My hands have always been frantic, scratching, scribbling, collaging, bleeding. Before I had language for what I was feeling, I had survival instinct. My chaos moved through my fingers. I drew. I cut. I self-harmed. I wrote. It wasn’t for performance. It was so I wouldn’t drown.

When I finally found poetry, it didn’t feel like art. It felt like company.

I remember sitting alone by a stream in Ohio. I had followed a lover to a place where no one wanted me. Not him, not my family. Isolation cracked me open. Trauma rose in the silence like smoke. I was drowning in rejection, misunderstood and invisible, waiting to feel like someone again.

That’s when the butterfly showed up. It lingered. It saw me. It didn’t save me, but it stayed long enough to let me feel seen. And in that moment, the words came like a river. Unfiltered, unconscious, mythic. The poem didn’t try to make sense. It just felt real. And for the first time in a long time, I felt real too.

I don’t write logically. I write neurologically. I write like the body remembers. Trauma doesn’t give you stories, it gives you sensations. The brain breaks memory into fragments. You remember a sound, a flinch, a smell. Not a plot.

My poetry mirrors that. That’s why my lines come in flashes. Why my metaphors feel mythic. Why there’s no narrative arc, only spirals, symbols, sobs, silences.

Writing that follows the rhythm of memory, not structure. Writing that reveals the subconscious, not logic. Writing that bleeds in a language the nervous system can trust. I didn’t learn this. I survived into it.

I am what I call an underworld translator, a shadow scribe, a nervous system medium.
I write from inside the burn.. I speak from the parts of the self most people try to avoid. The underworld is not hell, it’s the unspoken. The grief you buried. The version of yourself that exists beneath the mask. The shadow self waiting not to haunt, but to be integrated.

Sometimes, I wonder if I’m just romanticizing it all. If shadow work is just another addiction. If I’m still self-harming, but this time with metaphors. If I’m scripting pain to feel in control.

But this is also true: there is no light without this walk. There is no peace without knowing what almost destroyed you. And writing is how I know the difference. If I let it be ugly, feral, fragmented, then I know I’m not hiding anymore.

Because when you don’t face your underworld, it doesn’t disappear, it mutates. Into numbness. Into avoidance. Into loneliness. Into cruelty. It passes down. What you refuse to integrate, your children inherit.

I write because I didn’t

She Will Return

You’ve inflicted a wound
down the length of her spine.
Sabotaging the currents
to maintain her movements
give way to the wind.

With the immense distance it provides,
she will carry on.
Her skin sticks and glows a little,
glistens in the sunlight.

She’ll return
and destroy all that you are,
leaving behind
trails of ash and stains

The Ground Still Loved Me

I’ve been crying hard.
It’s what I do best.
The ground is loved on by the seeds of clouds.

But I’m fragile,
and I soften in explosion.
When I experience grief,
I face it suddenly.
There is no space

— from Repetitions of Ruin 
(incantations from the same wound)

I Try To Unwrite It

Sometimes I reread the poems I wrote for past lovers and feel like… this was too good for them. I try to take it back

Too tender. Too raw. Too sacred.

Bitterness shows up first.

Memory comes next. 

With it the soft ache of truth.

I remember why I wrote it, the little universe we lived in for a while. 

And I remember.

I remember it was theirs. Because a version of me meant it.

Even if they didn’t deserve the whole poem forever.

Some things are real just because they happened.

And some people get lucky enough to be written about.

The love was real, so was the poem.

So I give it back.