I sometimes peel myself for fun
forgetting I am dripping
I devour this holy pomegranate
for my last meal
While the world makes love
to cope with flesh
I vow to touch the earth
with the courtesy of life in mind
Through every door
every portal
I walk
fall
burn
and come back
to myself
again
and again
– Freegrandmaa
—
I’ve never been a tidy writer. I don’t write from outlines. I don’t plan.
Because pain rarely makes sense while you’re inside it. Because memory doesn’t arrive in full sentences. Because healing isn’t clean. And neither is truth.
My hands have always been frantic, scratching, scribbling, collaging, bleeding. Before I had language for what I was feeling, I had survival instinct. My chaos moved through my fingers. I drew. I cut. I self-harmed. I wrote. It wasn’t for performance. It was so I wouldn’t drown.
When I finally found poetry, it didn’t feel like art. It felt like company.
I remember sitting alone by a stream in Ohio. I had followed a lover to a place where no one wanted me. Not him, not my family. Isolation cracked me open. Trauma rose in the silence like smoke. I was drowning in rejection, misunderstood and invisible, waiting to feel like someone again.
That’s when the butterfly showed up. It lingered. It saw me. It didn’t save me, but it stayed long enough to let me feel seen. And in that moment, the words came like a river. Unfiltered, unconscious, mythic. The poem didn’t try to make sense. It just felt real. And for the first time in a long time, I felt real too.
I don’t write logically. I write neurologically. I write like the body remembers. Trauma doesn’t give you stories, it gives you sensations. The brain breaks memory into fragments. You remember a sound, a flinch, a smell. Not a plot.
My poetry mirrors that. That’s why my lines come in flashes. Why my metaphors feel mythic. Why there’s no narrative arc, only spirals, symbols, sobs, silences.
Writing that follows the rhythm of memory, not structure. Writing that reveals the subconscious, not logic. Writing that bleeds in a language the nervous system can trust. I didn’t learn this. I survived into it.
I am what I call an underworld translator, a shadow scribe, a nervous system medium.
I write from inside the burn.. I speak from the parts of the self most people try to avoid. The underworld is not hell, it’s the unspoken. The grief you buried. The version of yourself that exists beneath the mask. The shadow self waiting not to haunt, but to be integrated.
Sometimes, I wonder if I’m just romanticizing it all. If shadow work is just another addiction. If I’m still self-harming, but this time with metaphors. If I’m scripting pain to feel in control.
But this is also true: there is no light without this walk. There is no peace without knowing what almost destroyed you. And writing is how I know the difference. If I let it be ugly, feral, fragmented, then I know I’m not hiding anymore.
Because when you don’t face your underworld, it doesn’t disappear, it mutates. Into numbness. Into avoidance. Into loneliness. Into cruelty. It passes down. What you refuse to integrate, your children inherit.
I write because I didn’t
Saltblood Psalms
My deep breaths fuel my heart
Just one more night
After another
What a chore
A force of nature
To be here
To stay
To feel everything
A life of suffering—
I thrive off that shit
Like a brutal winter
My heart is raw and unfiltered
I dove deep to see her
The sacred red
Of the swallowed sea
She’ll find me
Begging
On plastered knees
She just wants to be safe
Satiated
Saved
Sacred Beauty, Silent Battles
I was taught to be beautiful, no matter what I was going through.
A sacred ritual passed down—lipstick, clean clothes, perfume. Even in despair, my outer world had to glow. I’ve mastered the art of seeming fine.
High-functioning depression means I show up glowing—
even when I’m collapsing on the inside.
Because I was taught: no matter how you feel, look good so no one would know.
People assume I’m okay because I look okay.
Because I’m pretty. Because I dress well. Because I smile. Because I post.
But that’s the mask. That’s the part I learned young:
if you look put together, maybe no one will ask too many questions.
My mother raised and instilled in me to always show up looking good—no matter what. And so I did. Even when I was quietly dealing with depression, eating disorders, suicidal thoughts/attempts, a bottomless abyss of self-hate etc. I never wanted anyone to know. I just wanted to survive.
And now that I’m older that’s backfired. Now when I say, “I’m not okay,” people respond with, “But you look so good.”
As if beauty is proof of wellness.
As if pain can’t wear lipstick.
Not all sadness screams.
Some of it moves quietly—wrapped in silk, masked with laughter, walking through the world unnoticed.
High-functioning depression is being praised for your strength, carrying sorrow with elegance. All the while drowning in silence.
It’s shining bright, yet being invisible because you’ve mastered the art of seeming fine.
It’s exhausting.
Opposites


Too Soft

January 2, 2020
I prayed hard on my way to work.
Feeling at home while talking to source.
Connecting to source.
One day at a time?
One choice.
One decision.
Today at work I will eat my food and drink my tea.
I’m going to dance and write.
Open me up. Recreate. Revamp.
I have some thinking to do with the woman I want to be. I am holding space for all I am in every moment. Maybe this year I’ll find my niche.
I don’t want to get sexually and romantically distracted. At the same time I don’t want to shame myself for wanting to be intimate…I want to break free from the belief that I am only desired physically. I want to also hold that men are attracted to the physical first. It’s survival. I’m mad sexually appealing, healthy, and warm to look at and so it makes sense if that’s what pulls one in. I have programming that has made me unsafe with the idea of men being attracted to my physical and being lusted after. Which is honestly unfair, unreasonable, and ridiculous. I can sense lust and genuine interest in a second.

