The Alchemy of Ache: Poetry as Portal, Memory as Ritual, Writing as Survival

I sometimes peel myself for fun
forgetting I am dripping

I devour this holy pomegranate
for my last meal

While the world makes love
to cope with flesh
I vow to touch the earth
with the courtesy of life in mind

Through every door
every portal
I walk
fall
burn

and come back
to myself
again
and again

– Freegrandmaa





I’ve never been a tidy writer. I don’t write from outlines. I don’t plan.
Because pain rarely makes sense while you’re inside it. Because memory doesn’t arrive in full sentences. Because healing isn’t clean. And neither is truth.

My hands have always been frantic, scratching, scribbling, collaging, bleeding. Before I had language for what I was feeling, I had survival instinct. My chaos moved through my fingers. I drew. I cut. I self-harmed. I wrote. It wasn’t for performance. It was so I wouldn’t drown.

When I finally found poetry, it didn’t feel like art. It felt like company.

I remember sitting alone by a stream in Ohio. I had followed a lover to a place where no one wanted me. Not him, not my family. Isolation cracked me open. Trauma rose in the silence like smoke. I was drowning in rejection, misunderstood and invisible, waiting to feel like someone again.

That’s when the butterfly showed up. It lingered. It saw me. It didn’t save me, but it stayed long enough to let me feel seen. And in that moment, the words came like a river. Unfiltered, unconscious, mythic. The poem didn’t try to make sense. It just felt real. And for the first time in a long time, I felt real too.

I don’t write logically. I write neurologically. I write like the body remembers. Trauma doesn’t give you stories, it gives you sensations. The brain breaks memory into fragments. You remember a sound, a flinch, a smell. Not a plot.

My poetry mirrors that. That’s why my lines come in flashes. Why my metaphors feel mythic. Why there’s no narrative arc, only spirals, symbols, sobs, silences.

Writing that follows the rhythm of memory, not structure. Writing that reveals the subconscious, not logic. Writing that bleeds in a language the nervous system can trust. I didn’t learn this. I survived into it.

I am what I call an underworld translator, a shadow scribe, a nervous system medium.
I write from inside the burn.. I speak from the parts of the self most people try to avoid. The underworld is not hell, it’s the unspoken. The grief you buried. The version of yourself that exists beneath the mask. The shadow self waiting not to haunt, but to be integrated.

Sometimes, I wonder if I’m just romanticizing it all. If shadow work is just another addiction. If I’m still self-harming, but this time with metaphors. If I’m scripting pain to feel in control.

But this is also true: there is no light without this walk. There is no peace without knowing what almost destroyed you. And writing is how I know the difference. If I let it be ugly, feral, fragmented, then I know I’m not hiding anymore.

Because when you don’t face your underworld, it doesn’t disappear, it mutates. Into numbness. Into avoidance. Into loneliness. Into cruelty. It passes down. What you refuse to integrate, your children inherit.

I write because I didn’t

Saltblood Psalms

My deep breaths fuel my heart
Just one more night
After another
What a chore

A force of nature
To be here
To stay
To feel everything

A life of suffering—
I thrive off that shit
Like a brutal winter
My heart is raw and unfiltered

I dove deep to see her
The sacred red
Of the swallowed sea
She’ll find me
Begging
On plastered knees

She just wants to be safe
Satiated
Saved

Must

“One mustn’t fret, but instead breathe. Fall into the void of life. Smile, hands up. Embrace the ride..”

“One must ground daily with the percussion of the past performing. One must be here, find it wherever you are..”

Bug On A Wall

“Bug on a wall, doe eyed, pressed to a window, steamed and well, comfortable..

I handled the last storm.

I’ve been meeting people who look like me again. I must admit I’m timid and shy to approach..”

Source

These wings don’t flock

I am not forced by any wind

Ungrounded from the land and molds

Behold everyone, the individual

A pure source

Pure eyes

A soul who’s unknown

Doesn’t quite belong anywhere

Found in anything and everything; every being

Haunting

Smokey listeners

Reaching for the shallow limbs of black

They sink and wail to discover life

And so I remain, printed and somewhat flaky 

Together, forested in fictions

I lie to myself when I stretch out of the hopeful comforts

I’m picked as bark

The dog days are quite holy; haunting 

The body was muddy and dug out of void

Being, holy as well

Peer through 

Identify me, then leave me to be, leave me alone

As I grow feral to the moans of cicadas 

I will touch the golden skies in faith

The ones I indulge in and tell stories about

Black Sheep

I can go anywhere and find home on my skin
Resting in dew
What’s new
When strangers are blue
Sketched and watercolored onto blocks
I’m an iridescent rock with moss
I wrap my locs when I’m around em
Pretend I’m Medusa, not a bit hesitant
And my shadows vow to move exactly how I move
As I pretend to blend in as if I belonged here
I dodge small talk
I know real voices, true hearts
I’ve mastered how to mirror; starting over less foreign than I
I knew I was alright
I was a locust bite, bitter
In the cool hybrid air
I made my way through the stolen
What I gave away could never keep up
My gift was melted and sculpted
Sometimes I’d call it love

Newness

What news!

The arrival

And the departure

Both equal in value and pleasure

To the adventurous wondering soul