June 15, 2024

My, my, my, X.
Wind-chimes braid themselves
up and down my core,
shivers down my spine, fingers spaced apart.
My center solidifies and my mind melts—
a proper malfunction…
.
Sometimes I wonder if he sees me.
I see him.
No pressure, no law.
I need X for certain things,
he needs me for certain things.
.
It won’t last,
I hold on to the now.
Let go.
Lean…
.
I think we can be good for each other.
I reject the law
that says only permanence has worth.
Connection is enough,
even if it shifts and dissolves.
.
Our fingertips touch—
flashing life, lust, tenderness.
I’ve never seen his eyes before.
I recognize his touch as my own.
I remember the caress of every lover.
.
I don’t know him
But his wild is my wild.
I honor what we are,
without demanding what we are not.
I want.. I don’t receive..
I’m too solid
There’s something I’d..
I can see..
If he falls

Crystal Clear Confusion

The center is a labyrinth.
We close our eyes to seek it
It likes to absorb itself
in hues of the abyss
Our fragments hide and seek
Bend at the pond
That foreign transparent center
Crystal clear as confusion

From Long and Long Ago

I saw a monarch butterfly today
the second one I’ve seen all summer.
She met me in broad daylight,
amid a treacherous slumber.

Told me to listen. Just listen.
What you need lives in the air.
To float like me is to be far and near.

I remember you, I say.
You remember me? she asks
from long and long ago.

She offered me pine and mulberries
to savor in my dreams.
My heart was seen.

The Alchemy of Ache: Poetry as Portal, Memory as Ritual, Writing as Survival

I sometimes peel myself for fun
forgetting I am dripping

I devour this holy pomegranate
for my last meal

While the world makes love
to cope with flesh
I vow to touch the earth
with the courtesy of life in mind

Through every door
every portal
I walk
fall
burn

and come back
to myself
again
and again

– Freegrandmaa





I’ve never been a tidy writer. I don’t write from outlines. I don’t plan.
Because pain rarely makes sense while you’re inside it. Because memory doesn’t arrive in full sentences. Because healing isn’t clean. And neither is truth.

My hands have always been frantic, scratching, scribbling, collaging, bleeding. Before I had language for what I was feeling, I had survival instinct. My chaos moved through my fingers. I drew. I cut. I self-harmed. I wrote. It wasn’t for performance. It was so I wouldn’t drown.

When I finally found poetry, it didn’t feel like art. It felt like company.

I remember sitting alone by a stream in Ohio. I had followed a lover to a place where no one wanted me. Not him, not my family. Isolation cracked me open. Trauma rose in the silence like smoke. I was drowning in rejection, misunderstood and invisible, waiting to feel like someone again.

That’s when the butterfly showed up. It lingered. It saw me. It didn’t save me, but it stayed long enough to let me feel seen. And in that moment, the words came like a river. Unfiltered, unconscious, mythic. The poem didn’t try to make sense. It just felt real. And for the first time in a long time, I felt real too.

I don’t write logically. I write neurologically. I write like the body remembers. Trauma doesn’t give you stories, it gives you sensations. The brain breaks memory into fragments. You remember a sound, a flinch, a smell. Not a plot.

My poetry mirrors that. That’s why my lines come in flashes. Why my metaphors feel mythic. Why there’s no narrative arc, only spirals, symbols, sobs, silences.

Writing that follows the rhythm of memory, not structure. Writing that reveals the subconscious, not logic. Writing that bleeds in a language the nervous system can trust. I didn’t learn this. I survived into it.

I am what I call an underworld translator, a shadow scribe, a nervous system medium.
I write from inside the burn.. I speak from the parts of the self most people try to avoid. The underworld is not hell, it’s the unspoken. The grief you buried. The version of yourself that exists beneath the mask. The shadow self waiting not to haunt, but to be integrated.

Sometimes, I wonder if I’m just romanticizing it all. If shadow work is just another addiction. If I’m still self-harming, but this time with metaphors. If I’m scripting pain to feel in control.

But this is also true: there is no light without this walk. There is no peace without knowing what almost destroyed you. And writing is how I know the difference. If I let it be ugly, feral, fragmented, then I know I’m not hiding anymore.

Because when you don’t face your underworld, it doesn’t disappear, it mutates. Into numbness. Into avoidance. Into loneliness. Into cruelty. It passes down. What you refuse to integrate, your children inherit.

I write because I didn’t

Nuzzled in Circles

I made a wish for you
my brown man

ferocious

beastly

Sunset and savory

Made me his baby
Nuzzled in circles under his wing

Where I’d devour his scent

He’d startle                                                                     
with big ole eyes
Consuming me till full

I would never lie to them

I feel safe                                                                      
under his wrath

We made love
he made me laugh

I omitted my heart

Slow burn
late bloomer

He’s impatiently patient
An active volcano

We paired together well

She Will Return

You’ve inflicted a wound
down the length of her spine.
Sabotaging the currents
to maintain her movements
give way to the wind.

With the immense distance it provides,
she will carry on.
Her skin sticks and glows a little,
glistens in the sunlight.

She’ll return
and destroy all that you are,
leaving behind
trails of ash and stains

By the Door of the Music Room

by the door of the music room
what does one do
when sound hums like prophecy
to the rhythm of one’s soul

spoiling all the way home
anointed with myrrh
a finger on the temple

what does one do
by the door of the music room

I Turn Void

Gasping for your air
I turn void
I cave in
Absorbed by your flesh
Seeking words of salvation
a cure to the spell
Fatal devotion
I’ll rage without it
Won’t care about anything else