The Shape of Listening

Learning how to let the image breathe. Practicing restraint, symbolism, space. Trusting simplicity more.

✶ handmade paper, sunprints, cinnamon bark, embroidery, glitter, fern clippings & cowerie shells ✶

Emotional Hieroglyphics

My recent work explores subconscious divination through collage and material experimentation.


Using embroidery, scraps, symbolic repetition, texture, handmade paper, organic remnants, and intuitive composition, I’ve been creating what feel like emotional hieroglyphics or dream maps – artifacts of an evolving inner mythology.


The work exists somewhere between intuitive abstraction, sacred symbolism, folk mysticism, outsider assemblage, and visual poetry.


I’m interested in how subconscious memory communicates through symbols, texture, repetition, and material instinct. These pieces are less concerned with polished representation and more concerned with emotional residue, psychic mapping, and the transformation of fragments into living symbolic systems.

✶ Materials: embroidery, glitter, old scrap drawings, sunprint paper, ink, self portrait, tree seeds ✶

Out

Spread out

To disappear

I’m distracted

My mind’s not near

My mind’s tuned in

Tuned out

I’m not walking forward

Spaced out

I’m a broken clock

A broken record

And I’m upside-down

Close enough

I cried out mercy and an added hour
I sought out fairytales and provoked hallucinations to deter
Please reflect, deflect, respect my ignorance
I’ll never name it by bliss; terror neither though close enough